Difference between revisions of "Crackin' DJ"
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| bobscreen=Crackindjtitle.png | | bobscreen=Crackindjtitle.png | ||
| − | | publisher=[[Sega]] | + | | publisher=[[Sega Enterprises, Ltd.]] |
| developer=[[Hitmaker]] | | developer=[[Hitmaker]] | ||
| system=[[Sega NAOMI]] | | system=[[Sega NAOMI]] | ||
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}} | }} | ||
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| − | {{sub-stub}}'''''{{PAGENAME}}''''' (クラッキンDJ) is a [[Sega NAOMI]] arcade game released in 2000. It uses special turntable controllers. It was followed by ''[[Crackin' DJ Part 2]]'' in 2001. | + | {{sub-stub}}'''''{{PAGENAME}}''''' (クラッキンDJ) is a [[Sega NAOMI]] arcade game released in 2000. It uses special turntable controllers. It was followed by ''[[Crackin' DJ Part 2]]'' in 2001. [[Sega Logistics Service]] announced it would end service on ''Crackin' DJ'' arcade machines on March 31, 2017.{{fileref|SegaProductsTerminationAnnouncement 2016-11 JP.pdf}}{{fileref|SegaProductsTerminationAnnouncement 2016-12.pdf}} |
| + | |||
| + | ==Gameplay== | ||
| + | ===Stages=== | ||
| + | {{InfoTable|imagewidths=150| | ||
| + | {{InfoRow| | ||
| + | | title=Level-0: Lesson Tune | ||
| + | | image=Lesson Tune crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-1: Code Number 003 | ||
| + | | image=Code Number 003 crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-2: Chocolate | ||
| + | | image=Chocolate crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-3: Hangover | ||
| + | | image=Hangover crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-4: Glamorous Fingers | ||
| + | | image=Glamorous Fingers crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-5: Nightmare | ||
| + | | image=Nightmare crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-6: Cool Hand | ||
| + | | image=Cool Hand crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-7: Hipster | ||
| + | | image=Hipster crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-8: Snob | ||
| + | | image=Snob crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-9: Black Temptation | ||
| + | | image=Black Temptation crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-10: Road To The Desert | ||
| + | | image=Road To The Desert crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-11: Double Moon | ||
| + | | image=Double Moon crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-12: During The Night | ||
| + | | image=During The Night crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-13: Thrill Of Ecstasy | ||
| + | | image=Thrill Of Ecstasy crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-14: Hot It Up | ||
| + | | image=Hot It Up crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-15: In Chaos | ||
| + | | image=In Chaos crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-16: Rumble Storm | ||
| + | | image=Rumble Storm crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Level-17: Take It So Hard | ||
| + | | image=Take It So Hard crackindj.jpg | ||
| + | }} | ||
| + | {{InfoRow| | ||
| + | | title=Bonus Tune: OutRun | ||
| + | | image=Bonus Tune crackindj.jpg | ||
| + | }} | ||
| + | }} | ||
| + | |||
| + | ==Development== | ||
| + | ===General overview=== | ||
| + | ''{{PAGENAME}}'' began life as an attempt to capitalize on the popularity of rhythm games in the late 90's, with similar [[Sega]] examples being ''[[Samba de Amigo]]'' and ''[[Mograpper]]''. [[Hisao Oguchi]] was instructed to produce another hit rhythm game, but due to his initial lack of interest, development lasted roughly 2 years. This resulted in a poorly timed release, as the rhythm game craze had at this point declined, and the game was deemed a financial failure.{{fileref|Sega Arcade History JP EnterBrain Book-1.pdf|page=106}} | ||
| + | |||
| + | Various possible other reasons for the game's poor performance have been suggested, from the userbase's difficulty managing a full-size turntable controller{{fileref|Sega Arcade History JP EnterBrain Book-1.pdf|page=106}}, to the game's presentation not properly conveying the fun to be had, both of which were addressed in ''[[Crackin' DJ Part 2]]'', such as with a more vibrant and informative tutorial song.{{ref|https://web.archive.org/web/20230325195316/http://backup.segakore.fr/hitmaker/game/DJ2/CDJ_site.f/CDJ_info.f/info_txt_taidan2.htm}} | ||
| + | |||
| + | The game was designed to be different from conventional DJ games, which were mainly focused on timing, whereas ''{{PAGENAME}}'' embraced the musicality of the turntables with various unique sounds and grooves. It also allows for improvisations, which were at one point planned to be added to the point scores, but it was eventually left up to the player to decide if it was a cool ad-lib or not.{{magref|dmjp|2000-37|156}} | ||
| + | |||
| + | ===The musicians=== | ||
| + | {{QuoteRight|By now, I was thoroughly enjoying the Crackin' Project. But, if I said that to Kanno, I'd be admitting defeat. I wouldn't change my "I don't want to do it" stance, not at this point. Well, at the end of the day, it was a fun project. Plus, I found out rap is good, plus, I acquired some know-how on rap recording, plus, I got a handle on breakbeats, plus, I learned how fun it is to break apart a song for a remix, and to top it off, I learned the value of hip-hop, which is a lot of positives (but it was tough).|[[Hiroshi Kawaguchi]]|ref{{ref|https://web.archive.org/web/20230325210129/http://backup.segakore.fr/hitmaker/game/DJ2/CDJ_site.f/CDJ_info.f/info_txt_hirotalk3.htm}}}} | ||
| + | Development of ''{{PAGENAME}}'' officially started in early 1999, as composer [[Mitsuharu Fukuyama]] recalls it coinciding with when he joined [[Sega Software R&D Dept. 3]], him being instantly assigned to work on the game.{{ref|https://web.archive.org/web/20230325195559/http://backup.segakore.fr/hitmaker/game/DJ2/CDJ_site.f/CDJ_info.f/info_txt_taidan1.htm}} Another composer working on the game early on was [[Taihei Sato]],{{magref|arcadia|7|26}} though as he was reassigned to [[Sega Rosso]], only contributed a few songs (some of which weren't used until ''Crackin' DJ Part 2). | ||
| + | |||
| + | As this was the first rhythm game developed by [[AM3]]/[[Hitmaker]], the department's most famous composer [[Hiroshi Kawaguchi|Hiroshi "Hiro" Kawaguchi]] was asked to join the project, but declined, partially to focus on ''[[Air Trix]]'' and ''[[Rent a Hero No. 1]]'',{{ref|https://web.archive.org/web/20230325210129/http://backup.segakore.fr/hitmaker/game/DJ2/CDJ_site.f/CDJ_info.f/info_txt_hirotalk3.htm}} but also due to not enjoying hip-hop music and being unfamiliar with DJ culture,{{magref|arcadia|7|26}} hence the title was handed off to Mitsuharu Fukuyama. However, as development was struggling to keep up with the ever-expanding sequences and rules, Hiro was eventually forced by director [[Kenji Kanno]] to join the project and research hip-hop and DJs.{{ref|https://web.archive.org/web/20230325210129/http://backup.segakore.fr/hitmaker/game/DJ2/CDJ_site.f/CDJ_info.f/info_txt_hirotalk3.htm}} This mainly involved listening to hip-hop CDs, attending events, watching videos and inviting a professional DJ to demonstrate in the Sega conference room.{{magref|dmjp|2000-37|156}} Hiro also bought a turntable, experimenting with it for 2 to 3 hours a day, gradually gaining respect for it as a musical instrument.{{ref|https://web.archive.org/web/20230325210129/http://backup.segakore.fr/hitmaker/game/DJ2/CDJ_site.f/CDJ_info.f/info_txt_hirotalk3.htm}} | ||
| + | |||
| + | Hiro wasn't the only one without prior hip-hop experience. Mitsuharu Fukuyama primarily came from a Jazz/Fusion background, so while Hiro had to stick to strict hip-hop on various songs (e.g. redoing Code Number 003 from its earlier techno arrangement{{ref|https://web.archive.org/web/20230325214150/http://backup.segakore.fr/hitmaker/game/DJ/Dj/pages.f/tunes/01.003.htm}}), Fukuyama had more free reign to bring a uniquely fresh take to hip-hop.{{magref|dmjp|2000-37|156}} This was also the case for [[Kentaro Kobayashi]], who was asked to join development later on amid creating a track for ''[[Dennou Senki Virtual-On Remixes Oratorio Tangram]]'', when a large ensemble of songs had already been completed.{{magref|dmjp|2000-37|156}}{{ref|https://web.archive.org/web/20230325215605/http://backup.segakore.fr/hitmaker/game/DJ2/CDJ_site.f/CDJ_info.f/info_txt_kentaro1.htm}} | ||
| + | |||
| + | ==Production credits== | ||
| + | {{mainArticle|{{PAGENAME}}/Production credits}} | ||
==Magazine articles== | ==Magazine articles== | ||
| Line 19: | Line 119: | ||
==Physical scans== | ==Physical scans== | ||
| − | {{ | + | {{ScanArcade |
| console=NAOMI | | console=NAOMI | ||
| region=JP | | region=JP | ||
| − | | cart= | + | | cart=CrackinDJ NAOMI JP Cart.jpg |
}} | }} | ||
Latest revision as of 17:52, 9 November 2024
| Crackin' DJ | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| System(s): Sega NAOMI | |||||||||
| Publisher: Sega Enterprises, Ltd. | |||||||||
| Developer: Hitmaker | |||||||||
| Genre: Action | |||||||||
| Number of players: 1 | |||||||||
|
This teeny-tiny article needs some work. You can help us by expanding it.
Crackin' DJ (クラッキンDJ) is a Sega NAOMI arcade game released in 2000. It uses special turntable controllers. It was followed by Crackin' DJ Part 2 in 2001. Sega Logistics Service announced it would end service on Crackin' DJ arcade machines on March 31, 2017.[2][3]
Contents
Gameplay
Stages
|
Level-0: Lesson Tune |
|---|---|
|
Level-1: Code Number 003 |
|
Level-2: Chocolate |
|
Level-3: Hangover |
|
Level-4: Glamorous Fingers |
|
Level-5: Nightmare |
|
Level-6: Cool Hand |
|
Level-7: Hipster |
|
Level-8: Snob |
|
Level-9: Black Temptation |
|
Level-10: Road To The Desert |
|
Level-11: Double Moon |
|
Level-12: During The Night |
|
Level-13: Thrill Of Ecstasy |
|
Level-14: Hot It Up |
|
Level-15: In Chaos |
|
Level-16: Rumble Storm |
|
Level-17: Take It So Hard |
|
Bonus Tune: OutRun |
Development
General overview
Crackin' DJ began life as an attempt to capitalize on the popularity of rhythm games in the late 90's, with similar Sega examples being Samba de Amigo and Mograpper. Hisao Oguchi was instructed to produce another hit rhythm game, but due to his initial lack of interest, development lasted roughly 2 years. This resulted in a poorly timed release, as the rhythm game craze had at this point declined, and the game was deemed a financial failure.[4]
Various possible other reasons for the game's poor performance have been suggested, from the userbase's difficulty managing a full-size turntable controller[4], to the game's presentation not properly conveying the fun to be had, both of which were addressed in Crackin' DJ Part 2, such as with a more vibrant and informative tutorial song.[5]
The game was designed to be different from conventional DJ games, which were mainly focused on timing, whereas Crackin' DJ embraced the musicality of the turntables with various unique sounds and grooves. It also allows for improvisations, which were at one point planned to be added to the point scores, but it was eventually left up to the player to decide if it was a cool ad-lib or not.[6]
The musicians
| “ | By now, I was thoroughly enjoying the Crackin' Project. But, if I said that to Kanno, I'd be admitting defeat. I wouldn't change my "I don't want to do it" stance, not at this point. Well, at the end of the day, it was a fun project. Plus, I found out rap is good, plus, I acquired some know-how on rap recording, plus, I got a handle on breakbeats, plus, I learned how fun it is to break apart a song for a remix, and to top it off, I learned the value of hip-hop, which is a lot of positives (but it was tough). | „ |
— Hiroshi Kawaguchi, ref[7] | ||
Development of Crackin' DJ officially started in early 1999, as composer Mitsuharu Fukuyama recalls it coinciding with when he joined Sega Software R&D Dept. 3, him being instantly assigned to work on the game.[8] Another composer working on the game early on was Taihei Sato,[9] though as he was reassigned to Sega Rosso, only contributed a few songs (some of which weren't used until Crackin' DJ Part 2).
As this was the first rhythm game developed by AM3/Hitmaker, the department's most famous composer Hiroshi "Hiro" Kawaguchi was asked to join the project, but declined, partially to focus on Air Trix and Rent a Hero No. 1,[7] but also due to not enjoying hip-hop music and being unfamiliar with DJ culture,[9] hence the title was handed off to Mitsuharu Fukuyama. However, as development was struggling to keep up with the ever-expanding sequences and rules, Hiro was eventually forced by director Kenji Kanno to join the project and research hip-hop and DJs.[7] This mainly involved listening to hip-hop CDs, attending events, watching videos and inviting a professional DJ to demonstrate in the Sega conference room.[6] Hiro also bought a turntable, experimenting with it for 2 to 3 hours a day, gradually gaining respect for it as a musical instrument.[7]
Hiro wasn't the only one without prior hip-hop experience. Mitsuharu Fukuyama primarily came from a Jazz/Fusion background, so while Hiro had to stick to strict hip-hop on various songs (e.g. redoing Code Number 003 from its earlier techno arrangement[10]), Fukuyama had more free reign to bring a uniquely fresh take to hip-hop.[6] This was also the case for Kentaro Kobayashi, who was asked to join development later on amid creating a track for Dennou Senki Virtual-On Remixes Oratorio Tangram, when a large ensemble of songs had already been completed.[6][11]
Production credits
- Main article: Crackin' DJ/Production credits.
Magazine articles
- Main article: Crackin' DJ/Magazine articles.
Physical scans
| NAOMI, JP | ||||
|---|---|---|---|---|
 Cart | ||||
References
- ↑ Sega Arcade History, Enterbrain, page 173
- ↑ File:SegaProductsTerminationAnnouncement 2016-11 JP.pdf
- ↑ File:SegaProductsTerminationAnnouncement 2016-12.pdf
- ↑ 4.0 4.1 Sega Arcade History, Enterbrain, page 106
- ↑ http://backup.segakore.fr/hitmaker/game/DJ2/CDJ_site.f/CDJ_info.f/info_txt_taidan2.htm (Wayback Machine: 2023-03-25 19:53)
- ↑ 6.0 6.1 6.2 6.3 Dreamcast Magazine, "2000-37 (2000-11-24)" (JP; 2000-11-10), page 156
- ↑ 7.0 7.1 7.2 7.3 http://backup.segakore.fr/hitmaker/game/DJ2/CDJ_site.f/CDJ_info.f/info_txt_hirotalk3.htm (Wayback Machine: 2023-03-25 21:01)
- ↑ http://backup.segakore.fr/hitmaker/game/DJ2/CDJ_site.f/CDJ_info.f/info_txt_taidan1.htm (Wayback Machine: 2023-03-25 19:55)
- ↑ 9.0 9.1 Arcadia, "December 2000" (JP; 2000-10-30), page 26
- ↑ http://backup.segakore.fr/hitmaker/game/DJ/Dj/pages.f/tunes/01.003.htm (Wayback Machine: 2023-03-25 21:41)
- ↑ http://backup.segakore.fr/hitmaker/game/DJ2/CDJ_site.f/CDJ_info.f/info_txt_kentaro1.htm (Wayback Machine: 2023-03-25 21:56)
| Games in the Crackin' DJ Series | |
|---|---|
| Crackin' DJ (2000) | Crackin' DJ Part 2 (2001) | |
| Crackin' DJ related media | |
 |
Crackin' DJ Original Soundtrack (2000) | Crackin' DJ Remix (2000) | Crackin' DJ Remix Vinyl Vol. 1 (2001) | Crackin' DJ Remix Vinyl Vol. 2 (2001) | Crackin' DJ Part 2 Original Sound Track (2001) | Crackin' DJ Complete Album (2010) |