Difference between revisions of "Yu Suzuki"

From Sega Retro
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'''{{PAGENAME}}''' (鈴木 裕), [[AM2]]'s star developer, is one of the most highly-regarded visionaries in the industry. He joined [[Sega]] in 1983 as a programmer, and two years later he created ''[[Hang-On]]'', the first simulation [[arcade]] game.
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'''{{PAGENAME}}''' (鈴木 裕), is a former programmer and producer at [[Sega]]. Notable for his works while at [[Sega AM2]], he is widely considered to be a visionary in the video game industry, creating many of Sega's biggest hits throughout the 1980s and 1990s.
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Suzuki has always tried to push the limits of arcade hardware. In the 1980s, he developed [[Super Scaler]] technology that manipulated [[sprite]]s and backgrounds to produce three-dimensional graphics and gameplay for games like ''[[Hang-On]]'', ''[[OutRun]]'', ''[[Space Harrier]]'', ''[[After Burner]]'' and ''[[Power Drift]]''; these games also innovated in terms of gameplay, controls, and cabinet designs, such as the fully interactive ''Hang-On'' cabinet where the player sits on and controls a replica motorbike, and moving hydraulic cockpit cabinets with analog fight-stick controls. He was involved in developing the cutting-edge [[Sega Model 1]] arcade board, and developed the first games for it. With the Model 1, Suzuki made his foray into the world of polygons, and the result was ''[[Virtua Racing]]''; this F1 racing simulator was completely rendered in 3D, and allowed players to experience the action from four different camera angles.
 
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Suzuki's next Model 1 masterpiece was the acclaimed ''[[Virtua Fighter]]'' in 1993. It was the very first 3D fighting game, and featured what is considered to be one of the deepest fighting engines ever. ''Virtua Racing'' and ''Virtua Fighter'' helped popularize 3D polygon graphics, with their dynamic camera systems, polygonal human characters, and physics engines, while ''[[Virtua Fighter 2]]'' on the [[Sega Model 2]] took it further with texture-mapped characters and motion-capture animation. ''Virtua Fighter''’s impact was such that it is housed in the Smithsonian Institution's Permanent Research Collection on Information Technology Innovation. He continued to advance 3D graphics and gameplay, working on the Model 2 and [[Sega Model 3|Model 3]] systems, along with games for them.
 
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In 1999, Yu Suzuki released ''[[Shenmue]]'', the first major original title he directed for a home console. Five years in the making, ''Shenmue'' on the [[Dreamcast]] featured open-world 3D environments, a sweeping story, multiple gameplay elements, quick-time events, and an unprecedented level of detail. ''Shenmue'' marked the start of a new genre, dubbed by Suzuki as FREE, or Full Reactive Eyes Entertainment. The story, graphics, environment, and the innovative system, exceeded those of many previous games. ''Shenmue'' was the most expensive game to be developed, with the whole project costing $47-70 million (until it was surpassed by ''Grand Theft Auto IV'', which cost roughly $100 million). The same year, he also produced the arcade game ''[[Outtrigger]]'', the first hero shooter.
 
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In 2003, Suzuki became the sixth person to be inducted into the Academy of Interactive Arts and Sciences' Hall of Fame. On April 1, 2009, Suzuki [http://www.segasammy.co.jp/english/pdf/release/20090331_e_.pdf retired] from Sega. Since then he now runs his own game company, [http://www.ysnet-inc.jp/ YS NET Inc.] (established November 11, 2008), but still retains a good relationship with Sega. In 2014, ''[[wikipedia:The List (magazine)|The List]]'' named him as one of the [https://www.list.co.uk/article/66236-a-guide-to-the-top-ten-game-designers/ top ten game designers] of all time, for "striving towards realistic 3D gaming".
 
  
 
==Career==
 
==Career==
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Cited as one of the most influential game designers, he is often considered Sega's answer to Nintendo's Shigeru Miyamoto. Suzuki led the development for a number of important games at Sega AM2, helping to revolutionize the video game industry in several ways. Suzuki felt his three most important achievements were starting the trend of "Taikan" games (three-dimensional arcade games with motion-based cabinets) in the 1980s, his role in the game industry's shift from 2D to 3D during the 1980s to 1990s, and ''Shenmue''<nowiki>'</nowiki>s influence on modern games in the 2000s.{{ref|https://web.archive.org/web/20140609054957/www.1up.com/features/disappearance-suzuki-part-1}}
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Yu Suzuki joined Sega in 1983 as a programmer, and was set to work designing and programming the [[SG-1000]] game, ''[[Champion Boxing]]''. Released for the console and later in arcade form, the game performed better than expected, and Suzuki was promoted to team leader, achieving something that usually took around seven years at Sega, in just one.
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Regarding his game design philosophy, Suzuki stated that the "difference between Miyamoto-san and I is that he takes the same game and takes it deeper and deeper, like with the Mario series," while "I like to work on different games and concepts. I don't like doing the same thing. The same goes for the hardware. I like to change the hardware I work with."{{ref|http://www.computerandvideogames.com/279529/yu-suzuki-the-difference-between-miyamoto-and-i-is/}} Suzuki mostly programmed his games in more difficult assembly language, as opposed to the less difficult, easier C language. According to Suzuki, "C was really slow back then. The fastest program that I used was 200 times faster than C."{{ref|https://web.archive.org/web/20131113174154/www.1up.com/features/disappearance-suzuki-part-1}}
 
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===1980s===
 
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Suzuki joined [[Sega|Sega Enterprises]] in 1983 as a programmer. In his first year, he created a 2D boxing [[arcade]] game called ''[[Champion Boxing]]'', which he designed and coded <small>(''Retro Gamer'', {{num|145|page=22}})</small>. It was later ported to Sega's first home game console, the [[SG-1000]], and then ported to the arcades in 1984. He helped develop it along with [[Rieko Kodama]].
 
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Under the mantle of Sega's development studio AM2, Suzuki began working on an original arcade game, ''[[Hang-On]]'', released in 1985 with a motion-controlled motorbike cabinet. Suzuki's intention behind the game's motion controls was to make arcade games more accessible to casual users. Suzuki and AM2 followed ''Hang-On'' with the 1985 third-person shooter ''[[Space Harrier]]'', which featured an analog flight stick for movement of both the game character and the hydraulic arcade cockpit cabinet. Showing his interest in Ferraris, Suzuki created the street racing/driving simulator ''[[Out Run]]'', which released in 1986 with a car-like hydraulic cabinet that moved with the player's racing wheel. He followed it with the jet fighting ''[[After Burner]]'' games, also running on hydraulic motion cabinets. The success of these games established Suzuki as the leading arcade game designer at the time.{{ref|http://www.eurogamer.net/articles/2013-07-07-space-harrier-retrospective}} This new emphasis on motion-based simulation experiences revitalized the arcade game industry in the late 1980s, helped keep the arcades alive decades later with dancing games like [[Konami]]'s ''Bemani'' franchise, and laid the foundations for console gaming's much later motion control boom (led by [[Nintendo]]'s [[Wii]] and then [[Microsoft]]'s [[Xbox 360|Xbox]] Kinect).
 
  
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Suzuki had been interested in 3D technology since his days in college. Running on the [[Sega Hang-On hardware]], ''Hang-On'' was the first game for Sega's [[Super Scaler]] [[List of Sega arcade systems|arcade technology]]. His approach to three-dimensional [[sprite]]/tile/background scaling was handled in a similar manner to textures in later [[wikipedia:Texture mapping|texture-mapped]] polygonal 3D games of the 1990s.{{ref|http://www.extentofthejam.com/pseudo/}} Suzuki stated that his "designs were always 3D from the beginning. All the calculations in the system were 3D, even from Hang-On. I calculated the position, scale, and zoom rate in 3D and converted it backwards to 2D. So I was always thinking in 3D."{{ref|http://web.archive.org/web/20131113174154/www.1up.com/features/disappearance-suzuki-part-1}} ''Out Run'', with its [[Sega OutRun hardware]], introduced third-person road gradients to the engine, giving more depth to its racing gameplay. ''After Burner'', with its [[Sega X Board]] hardware, introduced sprite/texture rotation techniques. The following year, the [[Sega Y Board]] games ''Galaxy Force'' and ''[[Power Drift]]'' (the first kart racing game) featured more advanced sprite/texture manipulation techniques. His Super Scaler technology was the basis for the sprite/texture/background manipulation technologies later developed for home systems, including the Neo-Geo's sprite-scaling, the SNES console's Mode 7, and the ray casting engines of computer FPS games like ''[[wikipedia:Wolfenstein 3D|Wolfenstein 3D]]'' and ''[[Doom]]''.
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Under the management of [[Hisashi Suzuki]], Yu Suzuki would work alongside a small team of developers in what would become a key innovator for Sega, [[Studio 128]]. It is here where Suzuki programmed ''[[Hang-On]]'', the Sega's first "[[taikan game]]". The game's enormous success both in Japan and overseas led to a string of equally important milestones; ''[[OutRun]]'' (1986), ''[[After Burner]]'' (1987), ''[[Power Drift]]'' (1988) and ''[[G-LOC: Air Battle]]'' (1990).
  
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===1990s===
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In the early 1990s, now a producer at the newly formed [[Sega AM2]], Suzuki and his team would go one better by creating ''[[Virtua Racing]]'', Sega's first "3D CG" game in 1992. He would then act primarily as a producer and the public face of AM2 for the following decade, helping to create ''[[Virtua Fighter]]'' (1993), ''[[Daytona USA]]'' (1994), ''[[Virtua Cop]]'' (1994) and ''[[Fighting Vipers]]'' (1995). Suzuki has also been instrumental in designing several of Sega's arcade boards; the [[Model 1]], [[Model 2]] and [[Model 3]], as well as the [[NAOMI 2]]{{magref|nextgeneration|77|61}}.
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Suzuki brought out spiritual sequels to ''After Burner'': ''[[G-LOC: Air Battle|G-LOC]]'' (1990) and ''[[Strike Fighter]]'' (1991). They were a culmination of his Super Scaler technology, featuring advanced sprite/texture scaling, rotation and manipulation techniques that anticipated the look of early 3D texture-mapping; similar techniques were later used by the [[Sega Saturn]]'s [[VDP2 32-bit background and scroll plane video display processor|VDP2]] graphics processor. ''G-LOC'' was also a culmination of his work on arcade cabinet design, with its fully 360-degree rotating [[R360]] cabinet.
 
  
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In the early 1990s, he helped popularize 3D polygon graphics with the ''Virtua'' games, which began on the Sega Model series of arcade systems. Suzuki and AM2 were involved with the development of the [[Sega Model 1]] arcade system. When they began developing the Model 1 development board, a piece of hardware capable of generating 3D polygon graphics, they began developing games for it. It debuted with the 3D Formula 1 racer ''[[Virtua Racing]]'', which Suzuki began developing in 1991, before Sega released it in 1992. It introduced a dynamic 3D camera system, which can be changed between multiple angles/perspectives, and can pan and rotate around the environment during replays. It was also the first game to render humans (NPCs such as the driving teams and spectators) with polygons in a fully 3D environment. It helped popularize polygonal 3D gaming, and set the template for 3D arcade racers. In 1993, Suzuki built on the same engine to create ''[[Virtua Fighter]]'', the first 3D fighting game. It introduced relatively detailed, recognizably human, 3D player characters, and a gameplay format that would become the template for 3D fighting games, in much the same way ''[[Street Fighter II]]'' was for 2D fighters. ''Next Generation'', in 1995, stated ''Virtua Fighter'' "epitomizes Suzuki's skill of finding the perfect blend of state-of-the-art technology with solid gameplay".{{ref|http://www.hardcoregaming101.net/virtuafighter/virtuafighter.htm}} ''Virtua Fighter'' was a breakthrough for 3D gaming, as the first game to implement 3D polygonal human characters in a useful way, with recognizable graphical details (such as the eyes, ears, nose and fingers), and with animations and reactions based on an early physics engine.
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After work wrapped up on ''[[Virtua Fighter 3]]'' in 1996, Suzuki's attention was taken up by a pootentially ground-breaking concept for Sega's home video game consoles - what would emerge as the [[Sega Dreamcast]] game ''[[Shenmue]]'' in 1999. The most expensive video game produced up until that point, ''Shenmue'' was a hit with critics but not with consumers, and while follow-up ''[[Shenmue II]]'' launched in 2001, the multiple-part epic was put on hold as Sega went through a period of financial turbulence.
  
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Yu Suzuki continued making significant advances in 3D gaming. He led the development of the [[Sega Model 2]] arcade hardware. In 1993, he debuted the Sega Model 2 with ''Daytona USA'', which featured the use of texture mapping and introduced texture filtering, producing graphics that were, according to IGN, "light-years ahead of anything anyone had seen."{{ref|http://retro.ign.com/articles/974/974695p8.html}} In 1994, he created ''[[Virtua Fighter 2]]'', which introduced filtered, texture-mapped characters, and motion capature animation technology. Suzuki noted that the game's texture-mapping technology was limited to the military and cost millions, which his AM2 team acquired and used to create a much cheaper affordable graphics chip for the Model 2 that could be mass-produced, making mass-produced texture-mapping possible for the game industry. ''Virtua Fighter 2'' was also known for its character animations, which were produced using motion capture technology that had previously never been used by the game industry.{{ref|http://www.gamasutra.com/view/news/228512/Yu_Suzuki_recalls_using_military_tech_to_make_Virtua_Fighter_2.php}} The same year, he produced ''[[Virtua Cop]]'', which revolutionized the light-gun shooter genre with a new 3D first-person rail shooter format and also inspired first-person shooters such as ''[[wikipedia:GoldenEye 007|GoldenEye 007]]''. The next year, he produced the Model 2 fighting game ''[[Fighting Vipers]]'' (1995), which introduced destructible environments and destructible clothing. He was then involved with the development of the [[Sega Model 3]] arcade hardware and its debut title ''[[Virtua Fighter 3]]'' (1996), featuring a groundbreaking graphics engine with advances like specular shading, T&L lighting, cloth physics, particle effects, inverse kinematics, facial animation, eye movement and multi-sample anti-aliasing. Suzuki also oversaw most of the home console conversions of AM2's arcade games during this time.
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Following the release of ''[[Virtua Fighter 4]]'' in 2002, Suzuki left AM2 to form a new Sega division, [[DigitalRex]] in 2003. However, DigitalRex and its successor, [[AM Plus]] struggled to get products out of the door, and Suzuki fell back to a more advisory role in the company, retiring from Sega in April 2009{{fileref|IR EN 2009-03-31.pdf|page=2}} though maintaining good relations with his former employers.
  
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In 1995, Suzuki began work on his first major original console project, ''The Old Man and The Peach Tree'', which was intended to be the first 3D, third-person, open-world game, a role-playing game set in China, for the [[Sega Saturn]]. By 1996, this eventually project had evolved into ''Virtua Fighter RPG'', a cinematic tech demo of which was produced for the Saturn. This project then moved to the Dreamcast and eventually developed into his magnum opus, ''[[Shenmue]]''. With the game's 1998 demo, he described the game's open-world "FREE" gameplay, based on the interactivity and freedom he wanted to give to the player. Suzuki intended to achieve this by simulating aspects of real life through the game, such as the day and night system, real-time variable weather effects (unheard of at the time), hundreds of fully-voiced non-player characters with their own daily schedules, quick-time events, and various other interactive elements such as vending machines, mini-games at arcades, and convenience stores. The game also revived and modernized the Quick Time Event mechanic, and coined a name for it, "QTE". The mechanic has since appeared in many later titles, including popular action games such as ''Resident Evil 4'', '''God of War'',{{ref|http://www.escapistmagazine.com/articles/view/video-games/columns/waypoints/1310-On-Screen-Help-In-Game-Hindrance}} ''Uncharted'', ''Heavy Rain'', and ''The Last of Us''. ''Shenmue'' also influenced later ''Final Fantasy'' games. Suzuki's arcade game ''[[Ferrari F355 Challenge]]'' also released in 1999. Rubens Barrichello of the F1 Team Ferrari was quoted by Suzuki to "have considered to purchase one for practicing."{{ref|http://www.gamesradar.com/yu-suzukis-five-finest-moments/}}{{ref|http://www.ign.com/articles/2000/09/20/f355-challenge}} The same year, he also produced the arcade game ''[[Outtrigger]]'', the first hero shooter.
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Suzuki formed his own development company, [[Ys Net]] in 2008, but aside from the occasional interview, was relatively silent over the coming decade. He returned to the limelight again at [[Sony]]'s [[E3 2015]] press conference, announcing ''[[Shenmue III]]'', which would be carried through from Kickstarter to release in 2019.
  
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===2000s===
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==Interests==
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Despite earning critical acclaim, ''Shenmue'' was unable to recoup its high budget. The commercial failure of ''Shenmue'' and its even larger sequel ''[[Shenmue II]]'', led to the cancellation of ''[[Shenmue III]]'' and eventually led to Suzuki slowly fading away from the limelight of the video game industry. After the commercial failure of the ''Shenmue'' games, Suzuki returned to developing arcade games. He directed ''[[Virtua Fighter 4]]'', which released in 2001. He was also involved in the development of its [[Sega NAOMI 2]] arcade hardware.{{magref|nextgeneration|77|61}}
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Yu Suzuki enjoys fast cars and motorcycles, of which many, particularly Ferraris (see; ''OutRun'' and ''[[F355 Challenge]]''), appear in his works. He is a believer of experiencing the world to better understand how to produce video games. Development of ''OutRun'' saw Suzuki lead his team across Europe for inspiration, while employees working on the likes of ''Virtua Racing'', ''Daytona USA'' and ''[[Scud Race]]'' have been advised by Suzuki to go out and drive real vehicles in order to appreciate how they feel. Meanwhile the likes of ''Virtua Fighter'' and ''Shenmue'' were inspired by real fighting styles and trips across Asia.
  
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In 2003, Yu Suzuki, along with Hiroshi Kataoka, produced sequels for ''[[OutRun]]'' and ''Virtua Cop'', entitled ''[[OutRun 2]]'' and ''[[Virtua Cop 3]]'', respectively. As sequels to classics, these games were well-received. He also worked on innovative projects that were eventually pulled. The Dreamcast game ''[[Propeller Arena]]'' was a multiplayer deathmatch based flight sim due for release in September 2001, but was cancelled following the 9/11 attacks. Suzuki left AM2 to form a new Studio eventually named DigitalRex in 2004.
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He prefers to work with different genres and concepts for every project, rather than be stuck refining the same ideas{{ref|http://www.computerandvideogames.com/279529/yu-suzuki-the-difference-between-miyamoto-and-i-is/}}. He also does not believe in extensive planning during video game production, allowing them to evolve naturally to suit the skills of his staff. ''Space Harrier'' is an example of this, evolving from real jets (Harriers) to a fantasy setting, as his artists were more suited to fantasy themes.
  
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At DigitalRex, Yu Suzuki worked on 4 games: ''Psy-Phi'', ''Shenmue Online'', ''Sega Race TV'', and an unannounced fantasy sports game. ''Shenmue Online'', which was a title in the MMO genre, along with the sports game, were cancelled during development, with ''Shenmue Online'' reportedly cancelled in 2007. ''PsyPhi'', the first touch-controlled arcade fighting game, was initially delayed due to development shifting from [[Sega Chihiro]] to [[Sega Lindbergh]] arcade boards.{{ref|http://www.ign.com/articles/2005/09/01/jamma-2005-hands-on-with-psy-phi}} After some location testing in 2005, Sega eventually pulled ''Psy-Phi'' from arcades and never gave it a wide release. After numerous problems in development, ''Shenmue Online'' was also quietly cancelled.{{ref|http://www.gamespot.com/articles/shenmue-online-facing-trouble/1100-6130382/}} After four years away from AM2, Yu Suzuki released his first game an arcade racing game titled ''[[Sega Race TV]]'', which was released under the studio name AM plus. The game was given a limited release. After the release of the game, Suzuki resumed non-executive work as an adviser for AM2.
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Suzuki famously does not play many video games, often leading to unique style of game that is rarely influenced by competitors.
  
 
==Production history==
 
==Production history==

Revision as of 09:26, 3 January 2020

Yu Suzuki.jpg
Yu Suzuki
Place of birth: Kamaishi, Iwate, Japan
Date of birth: 1958-06-10 (age 66)
Company(ies): Sega of Japan
Role(s): Programmer, Producer, Director, Executive

Yu Suzuki (鈴木 裕), is a former programmer and producer at Sega. Notable for his works while at Sega AM2, he is widely considered to be a visionary in the video game industry, creating many of Sega's biggest hits throughout the 1980s and 1990s.

Career

Yu Suzuki joined Sega in 1983 as a programmer, and was set to work designing and programming the SG-1000 game, Champion Boxing. Released for the console and later in arcade form, the game performed better than expected, and Suzuki was promoted to team leader, achieving something that usually took around seven years at Sega, in just one.

Under the management of Hisashi Suzuki, Yu Suzuki would work alongside a small team of developers in what would become a key innovator for Sega, Studio 128. It is here where Suzuki programmed Hang-On, the Sega's first "taikan game". The game's enormous success both in Japan and overseas led to a string of equally important milestones; OutRun (1986), After Burner (1987), Power Drift (1988) and G-LOC: Air Battle (1990).

In the early 1990s, now a producer at the newly formed Sega AM2, Suzuki and his team would go one better by creating Virtua Racing, Sega's first "3D CG" game in 1992. He would then act primarily as a producer and the public face of AM2 for the following decade, helping to create Virtua Fighter (1993), Daytona USA (1994), Virtua Cop (1994) and Fighting Vipers (1995). Suzuki has also been instrumental in designing several of Sega's arcade boards; the Model 1, Model 2 and Model 3, as well as the NAOMI 2[1].

After work wrapped up on Virtua Fighter 3 in 1996, Suzuki's attention was taken up by a pootentially ground-breaking concept for Sega's home video game consoles - what would emerge as the Sega Dreamcast game Shenmue in 1999. The most expensive video game produced up until that point, Shenmue was a hit with critics but not with consumers, and while follow-up Shenmue II launched in 2001, the multiple-part epic was put on hold as Sega went through a period of financial turbulence.

Following the release of Virtua Fighter 4 in 2002, Suzuki left AM2 to form a new Sega division, DigitalRex in 2003. However, DigitalRex and its successor, AM Plus struggled to get products out of the door, and Suzuki fell back to a more advisory role in the company, retiring from Sega in April 2009[2] though maintaining good relations with his former employers.

Suzuki formed his own development company, Ys Net in 2008, but aside from the occasional interview, was relatively silent over the coming decade. He returned to the limelight again at Sony's E3 2015 press conference, announcing Shenmue III, which would be carried through from Kickstarter to release in 2019.

Interests

Yu Suzuki enjoys fast cars and motorcycles, of which many, particularly Ferraris (see; OutRun and F355 Challenge), appear in his works. He is a believer of experiencing the world to better understand how to produce video games. Development of OutRun saw Suzuki lead his team across Europe for inspiration, while employees working on the likes of Virtua Racing, Daytona USA and Scud Race have been advised by Suzuki to go out and drive real vehicles in order to appreciate how they feel. Meanwhile the likes of Virtua Fighter and Shenmue were inspired by real fighting styles and trips across Asia.

He prefers to work with different genres and concepts for every project, rather than be stuck refining the same ideas[3]. He also does not believe in extensive planning during video game production, allowing them to evolve naturally to suit the skills of his staff. Space Harrier is an example of this, evolving from real jets (Harriers) to a fantasy setting, as his artists were more suited to fantasy themes.

Suzuki famously does not play many video games, often leading to unique style of game that is rarely influenced by competitors.

Production history

Games

Videos

Music


Song credits

Space Harrier (Arcade version)

  • Ida — Music & Arrangement
  • Valda — Music & Arrangement

Gallery

  • Signature

Magazine articles

Main article: Yu Suzuki/Magazine articles.

Interviews

References

  1. ↑ Next Generation, "May 2001" (US; 2001-04-17), page 61
  2. ↑ File:IR EN 2009-03-31.pdf, page 2
  3. ↑ http://www.computerandvideogames.com/279529/yu-suzuki-the-difference-between-miyamoto-and-i-is/
  4. ↑ File:Rent A Hero MD credits.pdf
  5. ↑ File:VirtuaF1 Saturn JP SSOpening.pdf
  6. ↑ File:Daytonausa sat us manual.pdf, page 18
  7. ↑ File:VirtuaFR Saturn JP SSEnding.pdf
  8. ↑ File:Vfremix sat us manual.pdf, page 26
  9. ↑ File:Virtua Fighter 32X credits.pdf
  10. ↑ File:VirtuaC1 Saturn JP SSEnding.pdf
  11. ↑ File:VirtuaF2 Saturn JP SSEnding.pdf
  12. ↑ File:VFCGP06_Saturn_JP_SSEnding.pdf
  13. ↑ File:VFCGP05_Saturn_JP_SSEnding.pdf
  14. ↑ File:Virtua Fighter CG Portrait Series The Final Dural Saturn credits.pdf
  15. ↑ File:VFCGP07_Saturn_JP_SSEnding.pdf
  16. ↑ File:VFCGP08_Saturn_JP_SSEnding.pdf
  17. ↑ File:VFCGP09_Saturn_JP_SSEnding.pdf
  18. ↑ File:VirtuaFK_Saturn_JP_SSEnding.pdf
  19. ↑ File:FightingV Saturn JP SSEnding.pdf
  20. ↑ File:VirtuaC2 Saturn JP SSOpening.pdf
  21. ↑ File:FightersM Saturn JP SSEnding.pdf
  22. ↑ File:VirtuaFighter4_PS2_JP_SSCredits.pdf
  23. ↑ File:F355Challenge_PS2_JP_SSCredits.pdf
  24. ↑ File:VirtuaFighter4Evolution_PS2_JP_SSCredits.pdf
  25. ↑ File:VF2DancingShadows CD JP Booklet.pdf, page 15
  26. ↑ File:ShenmueOrchestraVersion CD JP Booklet.pdf, page 7
  27. ↑ 27.0 27.1 File:ShenmueOST CD JP Booklet.pdf, page 15
  28. ↑ File:SpaceHarrier VinylUK le back.jpg
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