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| | ==To do== | | ==To do== |
| − | *Is there a demo recording function? The JP fansite (machine-translated) says "However, you can't save only the play in capture mode. It must be completely cleared with no mistakes without resetting on the way." ??? | + | *Add screenshots and sprites. |
| − | *Obvious, but the game's got on-cart saving. What type of saving needs to be verified. Also, it might auto-save? Again per the JP fansite: "The cartridge is equipped with a backup function. The stage that was cleared even once, the boss that was defeated, and the special abilities that were acquired are memorized. It can be used as a stage or character in the fighting game mode." Apparently, the abilities unlocked in single-player are carried over to 1v1 mode?
| + | [[User:CartridgeCulture|CartridgeCulture]] ([[User talk:CartridgeCulture|talk]]) 09:55, 13 July 2023 (EDT) |
| − | *Holding A+B+C while resetting the game will restore the Tweaker's settings to default. I thiiiink this is listed in the manual, but verify where this input should get incorporated.
| + | *[https://segaretro.org/index.php?title=File%3AHistoriemOmSega2_SE_Book.pdf&page=174 Funcom stories]...''"In the spring of 1994, Johan goes to a copy party in Oslo. Funcom is there to recruit new talent. He sees his chance and sends in an application with a floppy disc containing some demos. It all happens quickly. Carl-Henrik Skårstedt remembers it as a crazy process. - "We had a game design document of over 1000 A4 pages in a binder given to us by SEGA and we programmers had leafed through the design and decided that we didn't want to do this. When we spoke to our HR manager, he said that a new programmer [Johan Andersson] would start next week. We wondered who had interviewed him, but we had forgotten. It went pretty well anyway, but the poor guy got to be the main programmer for a game no one else wanted to make. The design was a test by SEGA to see if it would work well to finish the entire design before anyone started programming and graphics. That idea worked just as badly as it sounds. The project is a very ambitious action platform game called Nightmare Circus. - Nightmare Circus is really a game that would have benefited from having a producer," says Johan Andersson. "That was the company's biggest disadvantage, that they hired producers to manage projects, but they had zero knowledge of game development and didn't know how to manage people. None of us coders had even reached the age of 21 and were sitting as lead programmers. Our producer just worked on our game, but didn't do any planning and didn't talk to us very much. Then he quit and we were completely without project management for six months before our publisher sent over people to take over the project on site. But we were DONE! Despite the good results, SEGA decided to release Nightmare Circus only on its cable service SEGA Channel in North America and on cartridge via Tec Toy in Brazil."''--[[User:Asagoth|Asagoth]] ([[User talk:Asagoth|talk]]) 17:13, 13 November 2023 (EST) |
| − | *Something about the game not counting beating the game as "fully-cleared" (somehow?) if beaten with the Tweaker activated?
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| − | *Apparently the Tweaker is automatically enabled upon completing the game as well?
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| − | *Sega Channel release window: May 23,1997 - June 5, 1997{{ref|https://web.archive.org/web/19970605184559/http://www.sega.com/channel/now/4.html}}, also a ref for it being a Sega Channel exclusive.
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| − | *"If I remember correctly, I believe one of the devs said that the game was unfinished (on the nightmare circus message boards)."
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| − | *"I just checked the beta version, and the area that's blanked out, in the beta, it puts you on the bottom of the bridge area."
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| − | *"This was fun to see someone actually caring about this game on the net. This was the first game I ever worked on in my career, The game was serverly delayed, and I was not really happy with the balance. The game should technically be beatable, but it might be too hard to actually do it. I know we had a few cheatcodes in it, but its 15 years since I last looked at the code and I simply can't remember it. /Johan Andersson.. Leader Programmer @ Nightmare Circus"{{ref|https://nightmarecircus.proboards.com/thread/2/end}}
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| − | *"Johan, if you ever see this, I can give you credit for the game being well coded--as a matter of fact I'm really interested in what your development environment was, because Nightmare Circus almost seems as if it were programmed in an object-oriented manner or at least in a higher level language using structures. Did you code this in pure 68000, or is it something more like C? It's very impressive you were able to cram so many diverse structures for entities or actors into the small amount of RAM a Mega Drive has. Also, for some reason, there is a ROM dump floating around, a prototype--that actually seems to, in some ways, be more complete/robust than what actually got released in Brazil. Was this due to having to cut things back to make a deliverable product? One last question--do you know if the game had a North American release? No one seems to know if it actually did or not. I'm betting that it didn't, but I also assumed that the game couldn't be finished either--and I was wrong about that."
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| − | *https://web.archive.org/web/20131224210756/http://nitta.sakura.ne.jp/funcom/circus/circus.main.html
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| − | *It's probably lost to time, but there should have been a "game guide" to go along with the US Sega Channel release. I'd be really interested to see how certain names were localized.
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| − | *Create a section on the cancelled US release in History, and include a picture of it appearing in ''[[This Is Sega Test]]''.
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| − | *There's a prototype dumped by Hidden Palace that hasn't been covered whatsoever.
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| − | *Is the game's soundtrack unfinished too? It's very well-done for a GEMS game, but a few tracks have seriously misaligned instruments. I originally chocked this up to purposeful design (its an eerie, surreal setting, so making the music sound a little "off" would make sense), but the more I've been listening to it, I'm not so sure. Give the track commonly-titled "Chainsaw" a listen. That sounds less purposeful and more misaligned. And there are some other tracks which play suspiciously short and underwhemling samples (or the very beginning of them.) TBH the soundtrack was probably designed that way, but maybe email the composer/s and see if there's anything to this.
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| − | *[[Ricardo Pinto]] was the designer (creator) of ''Nightmare Circus''.
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| − | *It seems you need to wait about 8 seconds or so after defeating every boss for the level to end. (Was this at all intentional, perhaps for music timing? probably not, but a thought) Speaking of, the Tweaker lets you change the spawn/despawn times of enemies. This has to be related to the above timing "issues" somehow...
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| − | *The Tweaker is only usable with a 6-button controller for some reason, per the manual.
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| − | *The 1v1 stage select screen has a voided-out entry you can't select, with speculation that's the "Indian Swamp". I don't know, none of the other codes warp you to/or refer to specific stages, and there's already a stage select...
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| − | *So the Tweaker and settings info from the Hidden content subpage can probably stay there, but maybe with a dedicated section on the main page with an MainArticle to it. The reason I bring this up is because it's not... technically hidden. As in its advertised a lot, and specifically detailed in the manual. If anything, the subpage needs to be reformatted to cover all the Tweaker settings, by option.
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| − | *We have three roms listed. The first appears to be the Brazilian cartridge release, and the second is the prototype. The third one... is marked as a prototype, but could that just be the Sega Channel rom? It's 2MB tho... is this a second prototype? Or is this just the Sega Channel rom somehow? And if it IS a second prototype, we need to investigate it AND create a fourth rom listing for the Sega Channel ROM. We do that, right? I'll have to look into this.
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| − | *The JP fansite adds some story-stuff, but I'm not sure if it's just the author being an interesting writer or if he actually sourced it from somewhere unknown. Probably the former, but putting it here anyway: Raven can enter (and see?) the carnival because of his spirit powers (I-PSI), but the JP fansite elaborates by stating he uses his I-PSI to take an "incorporeal form", and THAT'S why he's able to enter the carnival. Might just be creative speculation.
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| − | *Also, the JP fansite keeps using the term "Sea of MP". Probably just more creative writing but its used frequently, like its a technical term...
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| − | *Something about the title screen being different/disappearing upon death? This might just be google translate being bad. Also, are there different death screens depending on if you died in normal or Spirit Warrior forms? Something about a screen where Jester sucks Raven's soul inside him.
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| − | *JP fansite states White Eagle is Raven's "twin brother", which is probably just creative writing for "he looks just like Raven."
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| − | [[User:CartridgeCulture|CartridgeCulture]] ([[User talk:CartridgeCulture|talk]]) 09:33, 21 December 2021 (EST) | |
| − | :The manual says the same... White Eagle is Raven's "twin brother" ... [https://segaretro.org/index.php?title=File%3ANightmarecircus_md_br_manual.pdf&page=11 ''"Raven e seu irmão gêmeo White Eagle (gêmeo PT-BR; gémeo PT-PT = twin)..."''] (''"Raven and his twin brother White Eagle..."'')...--[[User:Asagoth|Asagoth]] ([[User talk:Asagoth|talk]]) 07:16, 7 January 2022 (EST)
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| − | | |
| − | ==Gameplay stuff==
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| − | *Your HP is C-PSI, and your MP is your I-PSI. Just gonna call them HP/MP for this todo section.
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| − | *(I believe) you can spend MP to heal HP.
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| − | *Enemies also have individual HP and MP. And enemies can recover HP as well (by spending their MP?)
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| − | *Upon defeating an enemy, their soul floats out, which can be grabbed (or is automatically acquired?) to refill some of Raven's MP meter. Apparently the amount of MP restored is equal to the amount of MP the enemy has left when its killed.
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| − | *OHH. Okay, per the JP fansite, the overall goal is to free all the spirits. That explains why most (all?) areas only let you proceed one you've killed every single enemy.
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| − | *Hm, again per the JP fansite, there are places where enemies will constantly respawn, so the "kill all enemies" may be inconsistent. Maybe it's just required by most areas, not all?
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| − | *JP fansite: "There is an alternative element of "MP Sea" called "I-PSI Reserve" in the game, Unfortunately it doesn't seem to work. In the really small parts, There is a possibility that the development period has ended without being completed."
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| − | *Raven can switch between normal and "Spirit Warrior/Spirit World Warrior" states. I think this switches between HP and MP, treating both like health bars. When Raven is in his Spirit Warrior state, he drains MP instead of HP?
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| − | *JP fansite says Raven can spend MP to stop the basic enemies from spawning? I believe this is Raven's Spirit Warrior form, which burns through MP when enabled but turns off the spawning. Also, this is indicated by the glowing sphere in the very bottom-center of the HUD lighting up. Activated with Mode+X.
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| − | *Raven has an MP-specific ability that drains enemy/boss MP?
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| − | *Bosses have a one-time ability where they borrow MP from Jester to replenish its HP. Jester's face appears behind said boss and laughs maniacally.
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| − | *Apparently Raven can also borrow MP from Jester???
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| − | *All stages cannot be exited once entered. Except for the Ticket Office, which can be exited.
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| − | *Initial starting values: 2000/2000 HP, 0/1000 MP
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| − | *One death means game over, with no continues.
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| − | *Defeating a boss expands Raven's MP meter by 1000. With six bosses, that means a max of 7000 MP.
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| − | *HP is capped at 2000 and cannot be increased (outside the Tweaker maybe?)
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| − | *Defeating a boss also awards Raven a new ability. But he can only have one at a time. So once you defeat the next boss, the ability gets overwritten and you get a new one, forcing you to use different strategies and to choose the stage order carefully.
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| − | *When playing in 2P coop mode, all enemy HP is doubled, and two additional (new?) mid-bosses are introduced. If one player dies, they can keep playing, and the game will bring enemy health back down to normal levels (and not spawn the two extra mid-bosses I assume?)
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| − | *2P "competitive mode": One player plays Raven, the other controls the/an on-screen enemy (or gets to spawn an extra enemy? this needs investigating). The first player tries to play the game as normal while the second player tries to mess with/kill the first one. Mode+X or Y or Z selects the enemy type, and Mode+left or right will select between individual enemies in that type.
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| − | | |
| − | ==HUD==
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| − | *The twelve empty spaces on each side of the HUD are actually six spaces, with two "spaces" vertically for each enemy. The top is enemy HP, the bottom is enemy MP, and the blue ball in these spaces is how much of that value is left. I believe in-area enemies' values appear in this bar from right to left. What the little white fringes around the HP mean, I have no idea. Maybe it's just decoration, or maybe it highlights the enemy closest to Raven/last attacked? Probably just decoration. Also, I've only seen screenshots with enemies in the left slots, and I don't know if the game ever puts more than 6 enemies on-screen...
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| − | *The red silhouette of the crouching man in the center is Raven's HP, but only the interior of the silhouette. It starts fully red, and drains downward as Raven loses HP.
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| − | *The blue oval area behind the silhouette is Raven's MP, which drains downward as he loses MP.
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| − | *The six empty spaces at the right of the center image are extra MP bars, one for each boss. When a boss is defeated, a stick-figure like image appears in one of them. The figure is fully white at first, and the figure appears empty once that extra 1000 MP is expended.
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| − | *The sphere in the very bottom-center of the HUD (being "held" by Raven's HP meter) lights up when he enters Spirit Warrior mode. This drains MP but stops smaller, basic enemies from spawning (and/or respawning?)
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| − | *The space directly to the left of the center HP meter (between the center and the left enemy slots) looks like its got room for two things, but in actuality this is just where Raven's "ability gained from the boss" appears. This lights up when activated/the ability is used (is this a toggle on/off? I don't think so but who knows.) Also, I believe this only holds one ability, but the JP fansite says you can use Mode+A or Mode+B to activate it... either this is two button combos for the same thing, or... I don't know, I thought Raven could only have one ability at once, and it gets overwritten once a new one is acquired, but maybe the fansite I sourced that from meant "you can only have one selected at a time."
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| − | | |
| − | ==Codes to add==
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| − | *LITTLEPUPPET - Unknown
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| − | *SPIRITSHADOW - Unknown
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| − | *INDIAN SWAMP - Unknown
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| − | | |
| − | ==Enemies==
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| − | These names are obviously tentative.
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| − | *Mechanics (lots of levels)
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| − | *Little flying tribal guy (wooden billboard only?)
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| − | *Clay trapeze guys (trapeze level only)
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| − | *Dark Ravens (The Ticket Booth only, and possibly spawned by Diablo's Super Dark Raven form in final fight?)
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| − | *Skinless dogs (spinning chainlink fence only)
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| − | *Vial maze grubs (vial maze only)
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| − | *Clown faces on worm-like balls that spit projectiles (The Ticket Booth only?)
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| − | *Miniature circus cannons that roll up to Raven and shoot projectiles (The Ticket Booth only?)
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| − | | |
| − | ==Bosses==
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| − | These names are obviously tentative.
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| − | *Super Dark Raven
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| − | *Leatherface (+Wooden saw robot)
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| − | *Purple wizard
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| − | *Fan guy
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| − | *Grub lady
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| − | *"The Jester" (official name)
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| − | | |
| − | ==Stages==
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| − | ===The Carnival===
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| − | *The one with the rollercoaster on the very left.
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| − | *Level 1 is what you'd imagine a platforming rollercoaster level would look like. And with how close the camera keeps to Raven, its hard to get a good idea of this level's size at the moment. It looks like you could run around on foot, but I think the whole purpose is to wait like 8 seconds at the start of the level for the rollercoaster train to spawn, hop in that, and then after a few more screens of rolling around it drops you off at Level 2.
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| − | *Level 2 is the "workyard", the maintenance area for the rollercoaster trains. There's one of those railroad stopper things directly in front of Raven when he spawns, and directly past that is a long walk to the boss, where there's a pretty heavy stream of sawblade projectiles being hurled at you. I'm assuming this eats through health pretty fast (or is a one-hit kill?) and the intention is to push the block along as far as possible, but you also have to time how you push it a little, AND it can only take so many hits before breaking. And you're still a couple screen lengths away from the source of these projectiles, some skinny wooden "robot" thats standing right in front of the boss, so unless you kill the robot in about four seconds you'll be fighting both at once. The "proper" boss is uh... I'm assuming they were going for Leatherface, its a big ugly dude with a chainsaw. But the art is pretty bad on this guy, its kinda hard to tell. I thought it was the Predator at first. Defeat the boss, wait 8-10 seconds, and the level ends.
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| − | *There's no level 3. Why not? This level gets run through really fast, and probably needs more investigation, but its the only stage with 2 levels as opposed to 3.
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| − | ===The Ticket Office===
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| − | *The building with the AMUSEMENTS sign.
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| − | *Level 1 is a maze stage with a three-dimension design (not visuals). Think Phantasy Star 1 dungeons but cruder and more confusing. And you can go up and down with ladders, and attack parts of the wall to open new areas I think. A lot of the backgrounds for different sections and floors are just palette swaps so it gets more disorienting. And "turning in place" while inside a room involves running to the edge of the screen, upon which the screen blacks out for a bit as it "turns" the room. And there are enemies too. Also you can apparently press Up while in a room to also turn it? This needs investigation. Also the TAS blows through this so fast it doesn't encounter any enemies. I'm fairly sure I've seen enemies here, but look into this too.
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| − | *Level 2 is a long hallway lined with mirrors, where you fight- a bunch of mirror images of yourself, basically. Shadow Ravens? Dark Ravens? Maybe the name's in the manual, but its basically a bunch of Dark Links who die easily but constantly come out of the mirrors. The AI looks pretty involved.
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| − | *Leve 3 is uhm. A... psychedelic rotating cylinder? Its got some really crazy background art that palette cycles or w/e the term is, really does give off a neon vibe. Also kinda makes me nauseous. This room holds a bunch of rotating cylinders (rollers?) that seem to be pushing the background along. Smacking one of these a bit will destroy it, and you have to destroy all of them. But There's another Dark Raven that seems to be more aggressive and singular: he spawns the easily-defeatable Dark Ravens but himself is treated like a proper boss. (is this how it was in Level 2 as well? its hard to tell.) Destroy all the cylinders, defeat Super Dark Raven, wait 8-10 seconds and the level ends.
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| − | ===The Circus===
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| − | *The one with the ferris wheel.
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| − | *Level 1 is a pair of ferris wheels next to each other, turning in opposite directions. The background is an animation of the opposite side of wheels. The gondolas can be jumped on, and taking the upward-turning wheel will take Raven to the "top" of the wheel, where the game loads a new screen of him on the opposite side of the wheel. So you can keep hopping between different wheels to switch to different sides. And while you can go over the top safely, there's fire on the bottom of both sides of the wheels (which I'm assuming is instant death.) This is a great bit of design too, and really works with the uneasiness of the game's mood: you're not safe standing still for too long. It's essentially a pair of conveyor belts leading to spikes, right next to each other and going in opposite directions. As long as you pay attention and switch sides every so often you'll be fine, but that slight tension will always be there. It's also pretty easy to fall off the gondolas too, and there's just enough black emptiness on either side of the wheels to make it a legitimate gameplay hazard and give the wheels a real feeling of height. While keeping Raven from getting too close to the bottom of the wheels, there are also ghostly/zombie/demon mechanic enemies that spawn pretty much right on top of him (a theme in this game.) They're easy to kill but I'm assuming they might be able to knock Raven off the wheels, and they can easily overwhelm players, which I'd imagine was part of the challenge. After a certain amount of time, the fire at the bottom of the wheels goes out, and Raven can fall to the bottom. And then unceremoniously walk offscreen to end the stage.
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| − | *Level 2 is a spinning carnival ride-type thing, but very minimal and worn down. The background is a chainlink fence with skinless dogs crawling over it (who I believe can shoot projectiles), and there's wood on the floor. The very far background layer is a dark shot of the actual circus, and this scrolls to simulate the movement of the "ride" rotating. But it's less like a spinning carnival ride and more a railway turntable. It's got these big metal-industrial looking clown-like faces for doors: Raven enters through one, and there's another at the end of the stage. The stage also stars rotating when you enter it. You stand in front of (one of?) the door(s), hit the lever on it, and the rotating stops. I'm assuming this is some alignment puzzle that needs to be figured out, but the TAS jumps past a lot of this, so this level needs more research.
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| − | *Level 3 is a straightforward open area set in a bumper car rink. The art here is pretty nice, very sickly but pretty green colors and nice use of dithering (this game has lots of nice dithering in places), well-chosen colors. Also gives the scene an awesome mood, with many different shades of darker colors used to make nice shadows etc. You fight a bunch of demon mechanics for a while and eventually the boss shows up. He's a magician wearing a purple suit and a candy-cane striped top-hat, with matching pants and a white cane. Note for later, all the enemies and bosses do kung-fu, and are kinda-poorly drawn and animated. I think this might be a result of the U PROGRAM system... if they spent all that time separating so many variables like that, they probably built the game's actual "physics" system around it too (or it was the other way around), and that's why so much of this game's animated looks kinda stilted and poorly-timed. ALSO, the TAS doesn't give any of these bosses time to show off attacks or strategy, another thing that needs more research. Kill the top-hat magician, wait 8 seconds, the level ends.
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| − | ===The Completion===
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| − | *The big top at the very back. I don't know if you can enter it at any time, or if you need to beat the other three stages first, but probably the former.
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| − | *Level 1 starts you off on the ground in front of a long ladder. Climbing it reveals the stage to be an absolutely massive wooden "billboard" featuring some old decrepit creepy clown artwork, with multiple walkways across it. Honestly looks really cool. The billboard is made of numerous door-sized wooden panels, and attacking (spin attacking?) in front of one will destroy it. The objective is to destroy every wood panel on the billboard (or find the boss?) There's a bunch of panels that you'd imagine you'd be able to destroy, but you cant (specifically the panels directly behind the background pillars, likely because they didn't have the artwork of a pillar in front of a destroyed panel. So you just ignore those), and there are also panels that you can't reach which you can ignore as well. Basically, if there's a panel in front of a open walkway, you have to destroy it. There are also little floating guys with spiky hair and swords, kinda Castlevania Fleaman-esque but with projectiles. They also fly around seated with their legs folded most of the time, its really strange. Also a lot of their animation seems drawn for the enemy standing on the ground, but they'll still be floating around. Once you either destroy enough panels, the boss spawns (ORRR the boss is hiding behind a random panel and you have to destroy a bunch while looking for it, it's not clear.) The boss is... uhm. A? in black spandex, a skull mask, and white boots, wielding a pair of spiked green fans. He/She/it moves pretty fast too, flipping and sliding all over. Once the boss is defeated, you wait another 8 seconds in silence, then it loads Level 2.
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| − | *Level 2 starts you off in some wooden laboratory, with Raven strapped to a circular wooden wheel for a knife-tossing minigame. Well you're not tossing the knifes, they're being tossed at Raven from the center of the screen. There's no scaling/rotation on either the knives or the wooden wheel but the art does an ok job at making it look convincing. The objective is to spin Raven's wheel around so that any knives that are tossed toward him hit the wheel and not him, like landing between his legs or the side of his body. There's a second wheel for the second player as well, but both wheels are offset from the center of the screen and it looks very odd. Also, this is really the one section of the game that takes control away from the player and doesn't feature platform beat-'em-up gameplay, so it feels very out of place and sudden. Like the rest of the game, there's no warning or preparation or anything. After avoiding enough knives, Raven falls off the wheel and begins the stage proper, like right there, no loading or anything, now you're actually in the stage. Which is honestly one of the coolest and most memorable: its a wooden laboratory, where the level's platforms, walls, and ceilings are constructed entirely out of wooden blocks housing a maze of interconnected glass vials. In this maze are a bunch of wriggling worms crawling through the maze. And much of the platforms/walls have openings to the vial maze where these things can pop out for a second and bite you. They don't ever leave the maze, and the maze isn't always connected in the most consistent of ways, so its not always the easiest to track where they're wriggling and where they'll appear. And its all dynamic too, this game's got pretty good AI in a lot of spots. The background features the same art and animation of the grubs wriggling around, crawling around in a second background maze that's attached to the first, and meaning you have to keep track of the faint grubs in the background too. There isn't any safe place to stand still, as you're pretty much always standing on a vial opening. Raven has a cool animation here of his "sidling"? his way up between platforms... it's really hard to describe this stage so just look at a video, but he flattens himself and holds his body up with his arms and legs on either side of the shaft he's climbing. And you have to time your climbing in accordance with the worms, and keep track of where they are. And the grub animations are really gross, this stage will def make someone squeamish. Also its super tense. Once you climb to the top of the stage, there's nothing there, just the top of this huge wooden block stretching on for some time. Running down this block to the right will eventually spawn the boss, some contortionist/grub-lady wearing green spandex with yellow highlights, kinda looks like she belongs more in a superhero game. Her gimmick is that she can contort herself like the grubs you've been fighting, and at any time hop into the vial maze, where she looks no different than the other grubs. She'll crawl off and appear somewhere else (I suspect the game despawns her actor once she enters the maze and respawns her somewhere else, because sometimes the grub she turns into doesn't correspond with the one she pops up from, but it gets the intended effect across), and once she's defeated, wait another 8 seconds of silence and the level just ends.
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| − | *Level 3 is a trapeze, and is set in front of an actual audience (which appears in the previous level but only at the end, this is more-hey there's an audience watching you, and you're on the floor of the big top.) There are uh- clay people? that you have to fight. They almost look like the base art you might drawn enemy artwork over, maybe more U PROGRAM shenanigans. These clay guys flip around doing trapeze stuff and attacking you, and if they're met on the ground, they'll start juggling with their "clay" and throw the balls at Raven like projectiles. They can also slide up and down the trapeze supports. And there are seesaws that bounce Raven/enemies upward too, and little floating "trapeze points" on which Raven can swing, alongside the standard trapeze swing and trampolines/tightrope wires. Attacking one of the clay people for a while causes it to curl up into a small ball, drop to the floor, and die. Except it doesn't, it takes another 8 seconds or so. Seriously whats with the timing issues in this game, is this intentional? So you hop around the abnormally-large level (another theme with this game) looking for guys to smack. Once they're all despawned, another enemy begins to spawn in the center of the level. But it doesn't spawn right away, it just displays its "about to spawn" smoke cloud for again about 8 seconds, and then the game cuts to black for another second while it actually loads the boss level and takes you to an entirely new screen. ALSO, either one of these trapeze guys is a "super" trapeze guy that can take more damage and has a different appearance (he vaguely looks chicken/bird-like, with a bird skull and bird-feet), or they all turn into bird-things after a while? I think its the former.
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| − | *Level 4/the final boss takes place in a red-tinted version of Level 3 (the big top floor with the audience, although it appears there's no trapeze gimmicks here, just fighting the boss on the floor.) The final boss is a red devil-like thing with like... its the guy on the box art with the three red horns. His gimmick is the ability to morph into the previous bosses while you fight him. Also these bosses have different color variations too. He starts in his devil form, then becomes Dark Raven, followed by green fan guy (now red fan guy), and then... the TAS beats him. I'm assuming, given enough time, he probably transforms into all the bosses, but I'm just more surprised they let you end the fight before he even gets through all his forms. Smack him enough and he spazzes for a bit (seriously the art/animation in this game is really rough) as fire rises from the floor, as if hell is opening up to pull him back in. He gets pulled into the fire, it turns off, and that's the game. Oh but not before waiting another 8 seconds. And then immediate credits.
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| − | ==Images to incorporate==
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| − | <gallery>
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| − | NightmareCircus MD TheCircus 1v1.png|1v1 stage select screen
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| − | </gallery>
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| | ==User:CartridgeCulture learns basic formatting== | | ==User:CartridgeCulture learns basic formatting== |
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| | == Some observations... == | | == Some observations... == |
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| | In the back cover the story is told this way... : | | In the back cover the story is told this way... : |
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