Difference between revisions of "Space Channel 5/Production credits"
From Sega Retro
m (Text replacement - "A. J. Briones" to "A. J. Briones") |
Hyperspeed34 (talk | contribs) |
||
| Line 9: | Line 9: | ||
**'''Ulala:''' [[Mineko Okamura|Herself]] | **'''Ulala:''' [[Mineko Okamura|Herself]] | ||
**'''Fuse:''' [[Takashi Yuda|Takashi Thomas Yuda]] | **'''Fuse:''' [[Takashi Yuda|Takashi Thomas Yuda]] | ||
| − | **'''Jaguar:''' Sho Hayami | + | **'''Jaguar:''' [[Sho Hayami]] |
**'''Pudding:''' Kae Iida | **'''Pudding:''' Kae Iida | ||
| − | **'''Blank:''' Kenji Utsumi | + | **'''Blank:''' [[Kenji Utsumi]] |
**'''Space Michael:''' [[Michael Jackson]] (Thanks!) | **'''Space Michael:''' [[Michael Jackson]] (Thanks!) | ||
*'''Choreographer:''' Nahoko Nezu, [[Shigeru "Pigeon" Araki]] | *'''Choreographer:''' Nahoko Nezu, [[Shigeru "Pigeon" Araki]] | ||
Revision as of 22:30, 20 October 2024
- Back to: Space Channel 5.
Dreamcast version
- Voices
- Ulala: Herself
- Fuse: Takashi Thomas Yuda
- Jaguar: Sho Hayami
- Pudding: Kae Iida
- Blank: Kenji Utsumi
- Space Michael: Michael Jackson (Thanks!)
- Choreographer: Nahoko Nezu, Shigeru "Pigeon" Araki
- Music: Dr.Pris (Kenichi Tokoi), Dr.Rachael (Naofumi Hataya)
- Director: Takashi Thomas Yuda
- Story & Game Design Director: Takumi Yoshinaga
- Game Design Supervisor: Yoshiyuki Okitsu
- Game Design Unit: Takao Esaka, Toshihide Ozeki, Mika Satou
- Programming Director: Hitoshi Nakanishi
- Space Programmers: Ise Susumu, Ko Midoro, Yuuki Hatakeyama
- Art Director: Yumiko Miyabe
- Character & Background Design: Mayumi Moro, Yumiko Miyabe, Deen Guns Project, Ken Okazaki, Shiro Kinemura, Jake Kazdal
- Character Modeling Supervisor: Mayumi Moro
- Character Modeling Unit: Ken Okazaki, Chisai Abe, Shinkichi Tanahashi, Nanako Yarimizu
- Character Animation Supervisor: Ken Okazaki
- Character Animation Unit: Takanori Ohnuki, Maiko Kitagawa, Yusuke Kashiwagi, Jake Kazdal, Kenya Suzuki, Shigeru "Pigeon" Araki
- Motion Capture Set Up: Kenichi Suzuki
- Visual Effects Designer: Taro Hino
- Film Editor: Ryutaro Sugiyama, Taro Hino, Kanji Suto, Kenichi Suzuki
- Camera Operation Unit: Mika Satou, Kanji Suto
- Sound Director: Naofumi Hataya
- Sound Producer: Yukifumi Makino
- Sound Technical Director: Tatsuya Kousaki
- Sound Effect: Takashi Endo
- Sound Programmers: Kazumi Suyama, Yoshiaki Kashima
- Recording Unit
- Recording Director: Fumitaka Shibata
- Recording Engineer: Hirokazu Akashi, Sawako Sogabe, Yoshitada Miya, Syuhei Mukai
- Musicians
- Brass Arrangement: Tadashi Ohtsubo
- Trumpet: Isao Sakuma, Mitsukuni Kohata, Naohito Watanabe, Naruhiro Kikuchi, Koichi Suzuki
- Trombone: Yuji Shimoda, Gakutaro Miyauchi
- Sax: Yo Shibano, Toshimichi Imao
- Drum: Masashi Matsumoto
- Bass: Koji Motosugi
- Guitar: Chew-Taro Moritake
- Chorus: Miho Fujiwara, Yoko Akama, Wornell Jones, Triad Project
- Scores: Hiroshi Aso
- Recording Coordinator: Hidetaka Carl Shibata
- Recording And Mixed At: Sega Digital Studio
- Special Thanks: Jun Senoue
- A Very Special Thanks To: Tomoko Sasaki
- 'Mexican Flyer': Ken Woodman & His Piccadilly Brass (Woodman)
CGI Support Unit
- Trilogy
- Producer: Masaaki Taira
- Director: Shinji Naka
- : Yumiko Takahashi, Hiroyuki Takagai, Mika Ando
- Saihi Information Service Ltd
- Producer: Makoto Baba
- : Terumi Hamamoto
- Image Studio 109
- Manager: Hiroyuki Ishiguro
- : Hiroyuki Motai, Yusuke Aoki, Yoshiya Nagata
- Eyedentify Inc: Toshio Shinma, Daiji Hori, Taro Hino
- Special Thanks To: Hiroko Natori, Vfx Studio Loop Hole, Ogawa 3D&Visual Factory, Hironobu Kuwana
Space Channel 5 Promotion Unit
- Executive Producer: Hideki Okamura
- Producer: Takafumi 'Luckey' Ueoro
- Supervisor: Masatoshi Kawaguchi, Naoko'Anego'Ohka, Tomoe Yashiki (Sega Muse), Tetsuya Onishi (Sega Muse), Tadashi Takezaki, Junji Yamazaki, Junichiro 'J' Hirata, Yoshinobu Masahiro, Mineko Okamura
- Promotion Art Director: Masahiro "Magic" Kobayashi
- Desk Support: Yumiko Mouri, Akihiko Nagao, Sayuri Yajima
- Technical Support: Osamu Hori
- Production Management: Hayato Watanabe
- Special Thanks To: Katsuhiko Yamada, Tak Tsukuma, Miki Takagi, Kazuhiro Terasawa (T's Music), All R&D 9 Staff, Multi R&D Section
- Editing Design Team: Nobuhiko Shimizu (Desetsu), Kenya Orita
- Team Pheromone: Yumiko Mouri, Mineko Okamura, Yumiko Miyabe, Sayuri Yajima
- All The People Who Cared For Us, And All The Families Who Supported Us.
- Technical Producer: Ryuichi Hattori
- Executive Producer: Syuji Utsumi
- Very Executive Producer: Sadahiko Hirose, Hisashi Suzuki
- Very Very Executive Producer: Shoichiro Irimajiri
- Very Very Very Executive Producer: Isao Okawa
- Assistant Producer: Hayato Watanabe, Mineko Okamura
- Producer: Tetsuya Mizuguchi
- For All People Who Love Music ,Dance And Game.
- Presented by: Sega
- ©Sega Enterprises, Ltd., 1999
- Graphics Technology: Misaka Kitamura[1]
PlayStation 2 version
- Voices
- Ulala: Herself
- Fuse: Takashi Thomas Yuda
- Jaguar: Sho Hayami
- Pudding: Kae Iida
- Blank: Kenji Utsumi
- Space Michael: Michael Jackson (Thanks!)
- Choreographer: Nahoko Nezu, Shigeru "Pigeon" Araki
- Music: Dr.Pris (Kenichi Tokoi), Dr.Rachael (Naofumi Hataya)
- Director: Takashi Thomas Yuda
- Story & Game Design Director: Takumi Yoshinaga
- Game Design Supervisor: Yoshiyuki Okitsu
- Game Design Unit: Takao Esaka, Toshihide Ozeki, Mika Satou
- Programming Director: Hitoshi Nakanishi
- Space Programmers: Ise Susumu, Ko Midoro, Yuuki Hatakeyama
- Art Director: Yumiko Miyabe
- Character & Background Design: Mayumi Moro, Yumiko Miyabe, Deen Guns Project, Ken Okazaki, Shiro Kinemura, Jake Kazdal
- Character Modeling Supervisor: Mayumi Moro
- Character Modeling Unit: Ken Okazaki, Chisai Abe, Shinkichi Tanahashi, Nanako Yarimizu
- Character Animation Supervisor: Ken Okazaki
- Character Animation Unit: Takanori Ohnuki, Maiko Kitagawa, Yusuke Kashiwagi, Jake Kazdal, Kenya Suzuki, Shigeru "Pigeon" Araki
- Motion Capture Set Up: Kenichi Suzuki
- Visual Effects Designer: Taro Hino
- Film Editor: Ryutaro Sugiyama, Taro Hino, Kanji Suto, Kenichi Suzuki
- Camera Operation Unit: Mika Satou, Kanji Suto
- Sound Development By: Wave Master Inc.
- Sound Director: Naofumi Hataya
- Sound Producer: Yukifumi Makino
- Sound Technical Director: Tatsuya Kousaki
- Sound Effect: Takashi Endo
- Sound Programmers: Kazumi Suyama, Yoshiaki Kashima
- Recording Unit
- Recording Director: Fumitaka Shibata
- Recording Engineer: Hirokazu Akashi, Sawako Sogabe, Yoshitada Miya, Syuhei Mukai
- Musicians
- Brass Arrangement: Tadashi Ohtsubo
- Trumpet: Isao Sakuma, Mitsukuni Kohata, Naohito Watanabe, Naruhiro Kikuchi, Koichi Suzuki
- Trombone: Yuji Shimoda, Gakutaro Miyauchi
- Sax: Yo Shibano, Toshimichi Imao
- Drum: Masashi Matsumoto
- Bass: Koji Motosugi
- Guitar: Chew-Taro Moritake
- Chorus: Miho Fujiwara, Yoko Akama, Wornell Jones, Triad Project
- Scores: Hiroshi Aso
- Recording Coordinator: Hidetaka Carl Shibata
- Recording And Mixed At: Wave Master Recording Studio
- Special Thanks: Jun Senoue
- A Very Special Thanks To: Tomoko Sasaki
- 'Mexican Flyer': Ken Woodman & His Piccadilly Brass (Woodman)
Porting to Reprogrammed Version unit
- Programmers: Satoru Takeshima, Koji Kaifu
- Technical Support: Osamu Hori, Takeshi Hirai
- Sound Director: Naofumi Hataya
- Sound Data Convert: Takeshi Sato (T's Music)
- Game Design: Yoshiyuki Okitsu
- Artist: Yusuke Kashiwagi
- Movie Support: Yoshio Inoue
- File Editoe: Ryutaro Sugiyama
- Production Management: Hayato Watanabe
CGI Support Unit
- Trilogy
- Producer: Masaaki Taira
- Director: Shinji Naka
- : Yumiko Takahashi, Hiroyuki Takagai, Mika Ando
- Saihi Information Service Ltd
- Producer: Terumi Hamamoto
- : Makoto Baba
- Image Studio 109
- Manager: Yusuke Aoki
- : Hiroyuki Ishiguro, Yoshiya Nagata, Hiroyuki Motai
- Eyedentify Inc: Toshio Shinma, Daiji Hori
- Special Thanks To: Hiroko Natori, Hironobu Kuwana, Vfx Studio Loop Hole, Ogawa 3D&Visual Factory
- Promotion Art Director: Masahiro "Magic" Kobayashi
- Promotion Unit: Mineko Okamura, Junji Yamazaki
- Desk Support: Sayuri Yajima, Rio Toyoda
Sony Computer Entertainment Europe
- Producers: Sean Kelly, Florence Kum
- Internal QA Manager: Dave Parkinson
- Internal QA Supervisor: Jim Mccabe
- Team Leader: Phil Green
- Localisation Supervisor: Britta Kuhnen
Sega Corporation
- International Business & Production Dept.
- Senior Officer: Masanao Maeda, Hitoshi Okuno, Shinobu Shindo
- QA & Test Lead: Akira Nishikawa, Akira Terasawa
- QA & Test: Masashi Yamakawa, Taiji Ochiai, Makoto Sakuma, Editing Design Team (Desetsu)
Sega Europe
- Director-pd: Kats Sato
- Producers Manager: Aude Donnan
- Producer: Akiko Koutstaal
- Lead Tester: Mat Brooks
- Software manual & Packaging: Tom Bingle, Emma Ledda
- Translators: Caroline Ruiz, Enrique Gonzalez Fajardo, Jens Geffert
- Special Thanks To: All UGA Staff, Shuji Utsumi, Kazuhiro Terasawa (T's Music), Katsuhiko Yamada
- All The People Who Cared For Us, And All The Families Who Supported Us.
- Technical Producer: Ryuichi Hattori
- Assitant Producers: Hayato Watanabe
- : Mineko Okamura
- Executive Producer: Tetsu Kayama
- Producer: Tetsuya Mizuguchi
- For All People Who Love Music ,Dance And Game.
- Presented by: Sega
- ©SEGA CORPORATION,1999
- Reprogramed by: UGA
Breakdown
Dreamcast version
Nahoko Nezu
- Acted out Ulala's motions.[3]
Shigeru "Pigeon" Araki
- Acted out the Morolians' motions through pantomime.[3]
Takashi Yuda
- Co-created the original concept for the game.[4]
- Designed background characters.[5]
- Co-designed early versions of Spaceport 9's exterior.[5]
- Co-created an image processing method to reduce processing time and , diversity screen presentation and create smoother character animations.[6]
Takumi Yoshinaga
- Co-created the original concept for the game.[4]
- Co-created an image processing method to reduce processing time and , diversity screen presentation and create smoother character animations.[6]
Takao Esaka
- Created dance sequences for Ulala and Morolians.[7]
Hitoshi Nakanishi
- Co-created an image processing method to reduce processing time and , diversity screen presentation and create smoother character animations.[6]
Yumiko Miyabe
- Designed the boss Morolin Monroe.[5]
- Designed background characters.[5]
- Designed backgrounds.[5]
- Co-designed early versions of Spaceport 9's exterior.[5]
Mayumi Moro
- Designed the Morolians.[3][8]
- Designed backgrounds.[5]
- Designed the final version of Spaceport 9's exterior.[5][9]
- Created the model of Michael Jackson.[10]
Ken Okazaki
- Designed the character Jaguar.[11]
- Designed the Space Pirates.[3]
- Created rejected boss designs.[3]
- Designed backgrounds.[5]
Tomoko Sasaki
Misaka Kitamura
- Co-created an image processing method to reduce processing time and , diversity screen presentation and create smoother character animations.[6]
References
- ↑ [ ]
- ↑ https://www.youtube.com/watch?v=VFixZsTyoT0
- ↑ 3.0 3.1 3.2 3.3 3.4 Dreamcast Magazine, "2000-06 (2000-02-25)" (JP; 2000-02-11), page 56
- ↑ 4.0 4.1 4.2 https://segabits.com/blog/2023/11/14/segabits-exclusive-interview-with-veteran-sega-designers-akihito-hiroyoshi-yumiko-miyabe/
- ↑ 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 5.8 Dreamcast Magazine, "2000-06 (2000-02-25)" (JP; 2000-02-11), page 57
- ↑ 6.0 6.1 6.2 6.3 https://jglobal.jst.go.jp/detail?JGLOBAL_ID=200903035659465659
- ↑ Dreamcast Magazine, "2000-06 (2000-02-25)" (JP; 2000-02-11), page 58
- ↑ http://www.u-ga.com/jp/company/list_staff.php?HID_EMP_NO=J00105 (Wayback Machine: 2003-04-03 21:50)
- ↑ @MORO_M on Twitter (Wayback Machine: 2022-05-30 15:11)
- ↑ @MORO_M on Twitter (archive.today)
- ↑ http://www.u-ga.com/jp/company/list_staff.php?HID_EMP_NO=J00116 (Wayback Machine: 2003-04-03 22:18)
- ↑ Tomoko Sasaki, Wave Master (Wayback Machine: 2004-05-30 22:30)
| Space Channel 5 | |
|---|---|
|
Main page | Comparisons | History | Credits | Development | Magazine articles | Video coverage | Reception | Merchandise | Technical information | Bootlegs
Music: Space Channel 5 Ulala The Movie (1999) | Space Channel 5 Mexican Flyer (2000) | Space Channel 5 Planet Dance (2000) | Space Channel 5 Original Soundtrack (2000) | Mexican Flyer Remix Tracks Inspired by Space Channel 5 (2000)  | |
