Difference between revisions of "CyberSound"

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[[File:CyberSound logo.png|thumb|right]]
 
'''CyberSound''' is a line of products created by [[InVision Interactive]] in May 1995, acting together as a comprehensive set of tools to enable sound on varying types of computer hardware.
 
'''CyberSound''' is a line of products created by [[InVision Interactive]] in May 1995, acting together as a comprehensive set of tools to enable sound on varying types of computer hardware.
  
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CyberSound was designed to produce "high quality" audio with minimal processing costs, which was achieved by creating a software-based MIDI-esque waveform (or "instrument") table. The idea was that complex pieces of music could be constructed by saving sequences of individual notes, and then applying a specific insturment to each note to generate sound, as opposed to streaming an already constructed piece of audio from a CD-ROM.
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CyberSound was designed to produce "high quality" audio with minimal processing costs, which was achieved by creating a software-based MIDI-esque waveform (or "instrument") table. The idea was that complex pieces of music could be constructed by saving sequences of individual notes, and then applying a specific instrument to each note to generate sound, as opposed to streaming an already constructed piece of audio from a CD-ROM.
  
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This method leads to greater efficiency and lower memory and storage requirements.  
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This method leads to greater efficiency and lower memory and storage requirements. The concept was nothing new per se, however CyberSound worked entirely within software (i.e. no special chipsets were required) and was supported by an extensive library of waveforms supplied by InVision Interactive themselves. It also went further than the [[wikipedia:General MIDI|General MIDI]] standard, allowing for more than 128 instruments if required.
  
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(I'll do the rest tomorrow at some point)
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CyberSound technology was licensed by numerous hardware manufacturers and was regularly used in video games until at least the early 2000s. InVision Interactive went bankrupt around this period and support for the software ceased, however the advent of higher density disc formats such as [[GD-ROM]] (for the [[Sega Dreamcast]]) and DVD for the [[PlayStation 2]] gave audio programmers more flexibilty when it came to in-game music.
  
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https://web.archive.org/web/19970110062458/http://www.cybersound.com/docs/bckrndr1.html
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==Sega co-operation==
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https://web.archive.org/web/19970110062549/http://www.cybersound.com/docs/bckrndr4.html
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As part of the official [[Sega Saturn]] development tools, Sega licensed technology from InVision Interactive and made a Saturn-compatible system available to third-party developers from 1994. It is believed this license mainly concerned the instrument/waveform library ("CyberSound GM" as it was later known officially), forming what was initially termed the '''Sega Sound Library''' (at least, prior to the CyberSound name coming into use). This in turn would be fed to the [[Saturn Custom Sound Processor]] (SCSP) and played.
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was a combination [[MIDI]] instrument set and software driver used by many [[Sega Saturn|Saturn]] games such as ''[[NiGHTS into Dreams]]'', ''[[Dragon Force]]'', and ''[[Sakura Taisen]]''. It was also used on other platforms such as the PC and Macintosh. Since the samples are contained within the software itself for subsequent digital playback, you could also liken the mechanics to that of a Amiga music module or a software-driven wavetable like those currently being offered by [[Yamaha]]. The company that developed Cybersound, ,is now out of business, and searching newsgroups will reveal a number of people wondering what to do with a product that is no longer supported.
 
  
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[[Category:Technical information]]
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CyberSound technology was used in a large percentage of Saturn games, including Sega first-party games such as ''[[NiGHTS into Dreams]]'', ''[[Dragon Force]]'' and ''[[Sakura Taisen]]''. Developers more interested in audio fidelity would often opt for Red Book audio (i.e. music streamed off a disc, much like a regular music CD-ROM). Some publishers opted for other, home-grown systems, while later games such as ''[[Burning Rangers]]'' used [[ADX]] technology - a form of audio compression that did not necessarily hamper other system processes.
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It was also possible to access the SCSP directly, which often made more sense for arcade ports or games which required "simpler" sound. There was no requirement to take sides, however - games could swap between multiple audio technologies if they desired.
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Several Sega Dreamcast games also make use of CyberSound technology, though were less likely to advertise the then-aging system as Saturn titles were.
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==Games utilising the "Sega Sound Library"==
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{{BulletPointGameList|category=Saturn games using the Sega Sound Library}}
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==Games utilising CyberSound==
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{{BulletPointGameList|category=Saturn games using CyberSound}}
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===[[Dreamcast]]===
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==References==
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<references />
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[[Category:Data formats]]
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[[Category:Middleware]]

Latest revision as of 20:40, 19 March 2024

CyberSound logo.png

CyberSound is a line of products created by InVision Interactive in May 1995, acting together as a comprehensive set of tools to enable sound on varying types of computer hardware.

CyberSound was designed to produce "high quality" audio with minimal processing costs, which was achieved by creating a software-based MIDI-esque waveform (or "instrument") table. The idea was that complex pieces of music could be constructed by saving sequences of individual notes, and then applying a specific instrument to each note to generate sound, as opposed to streaming an already constructed piece of audio from a CD-ROM.

This method leads to greater efficiency and lower memory and storage requirements. The concept was nothing new per se, however CyberSound worked entirely within software (i.e. no special chipsets were required) and was supported by an extensive library of waveforms supplied by InVision Interactive themselves. It also went further than the General MIDI standard, allowing for more than 128 instruments if required.

CyberSound technology was licensed by numerous hardware manufacturers and was regularly used in video games until at least the early 2000s. InVision Interactive went bankrupt around this period and support for the software ceased, however the advent of higher density disc formats such as GD-ROM (for the Sega Dreamcast) and DVD for the PlayStation 2 gave audio programmers more flexibilty when it came to in-game music.

Sega co-operation

As part of the official Sega Saturn development tools, Sega licensed technology from InVision Interactive and made a Saturn-compatible system available to third-party developers from 1994. It is believed this license mainly concerned the instrument/waveform library ("CyberSound GM" as it was later known officially), forming what was initially termed the Sega Sound Library (at least, prior to the CyberSound name coming into use). This in turn would be fed to the Saturn Custom Sound Processor (SCSP) and played.

CyberSound technology was used in a large percentage of Saturn games, including Sega first-party games such as NiGHTS into Dreams, Dragon Force and Sakura Taisen. Developers more interested in audio fidelity would often opt for Red Book audio (i.e. music streamed off a disc, much like a regular music CD-ROM). Some publishers opted for other, home-grown systems, while later games such as Burning Rangers used ADX technology - a form of audio compression that did not necessarily hamper other system processes.

It was also possible to access the SCSP directly, which often made more sense for arcade ports or games which required "simpler" sound. There was no requirement to take sides, however - games could swap between multiple audio technologies if they desired.

Several Sega Dreamcast games also make use of CyberSound technology, though were less likely to advertise the then-aging system as Saturn titles were.

Games utilising the "Sega Sound Library"

Games utilising CyberSound

Dreamcast

References

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